Description

How can a dance speak to the overwhelming and constant grief that undergirds our lives? How do the dynamics of an art-making process reflect or deny the dynamics of life outside the studio? What gets cast aside? What is preserved? What possibilities linger on the periphery or in between the things we pay attention to? In Super Nothing, movement and choreographic relationships are analogues for how people support each other to survive. Interdependence takes multiple forms, as the performers move through representations of the past to create a blueprint for a new future. 

Inspired by bell hooks' statement that "Moving, we confront the realities of choice and location," the four performers of Super Nothing navigate a shifting physical terrain of intimacy, negotiation, and pent up feeling to create a world where we rethink what it means to come together.

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